La Land, when the magic of romanticism becomes cinema

In a product in which nothing fails, it is difficult to choose what is best and for the case that concerns me, the decision oscillated between the OST and the address; however, before seeing what was the winner, we must applaud the work of the main actors, who brought all the chemistry they showed crazy, stupid, love and coupled to the drive of the film, as he did under his Ryan Gosling with Stoicism and Emma Stone with Girl Next Door (or Goofy smart), giving it naturalness and development to one scene after another, as agile and convincing as the edition that gave us the best sequencing of the year. The artistic is brilliant, highlights the production of scenarios and so does the direction of art, without designing dressing rooms empty-handed, as each department puts what is necessary for the film to be a work of art and a classic Newborn of the 21st century. The technician does his thing, for I reiterate that the edition is crucial, and without it, the director's vision would be malnourished; But it does not, it is magnificent, as the sound edition and as the text, which is creative, exhaustive in the quest for the sense of sacrifice for art already exposed in Whiplash, but also added to the demonstration very American dream of the noble sense that there is in Hollywood Movie and also, adding as main elements of the romanticism: to the love and the suffering that we are told in the unsurpassable final sequence. The final sequence is the condensate of the quality, the essence and the vision of the filmmaker that put this film in the sights of moviegoers and critics and that personally, led me to put it at the top of my list of favorite movies As number one and give you a five out of five in this review. Thus, the final sequence uses with unimaginable expertise the editing to make clear the romantic of what was not and will not be, although it could have been; While the main theme returns to put its leitmotiv magic with more force than in its other appearances and the graphic narrative becomes the best that I have seen in my life, so that in the end I can resolve that despite the magnificence of the OST, the direction of Damien Chazelle is the best of the film, because it is a filmmaker who understands and applies artistic sensitivity in a spiritual way, but it is not limited to it, because it understands the importance of the technical and the applies presumptuously, without neglecting any of the elements of their production and thus,the best 2016 Movie and my new favorite  La La Land has arrived.